Marin needed photos for her shop and a magazine feature, and she did not want to stand still for any of them.
We started at the wheel
We spent the first hour photographing her hands in the clay. Once she forgot about the camera, the portraits came easily.
Color came from the walls
Her studio already had blue walls and a yellow window. We moved one table and used the morning light that was already there.
The photo she circled
Marin chose a photo of her laughing at a bowl that had just collapsed. She says it shows the studio better than any finished piece.